Course Description

At the core of the course is the question how feminism has become a demonized and ridiculed “F-word” in an age when issues of gender and sexuality are at the center of constant, often explosive political debates. These debates often connect media representation and political representation but tend to do so in simplistic ways that bypass or distort decades of sophisticated feminist theory and practice. We will trace back such representations through the decades around case studies that encompass film, video, television and new media practices. The case studies come from the United States and beyond, taking into full account the global interconnectedness of media production and consumption as well as the transnational travel of feminist ideas. The main goal of the course is to evaluate how useful feminist thinking is to understanding the relays between media and political representation; and to develop a lasting critical apparatus to analyzing the politics of gender and sexuality in the media.


Friday, November 15, 2013

Women in Comedy and Labeling- Paper Topic, would love some advice!

Project Question: Can you be commercially successful and call yourself a feminist?

Paper Question:  Women in comedy: Race, Sexuality, and Feminism
Can you be funny and be a “something” (lesbian, feminist, woman of color, liberal democrat, etc.) or should you sacrifice your self-identification to be able to play all parts?

3 Main Topics

Race:

The SNL Issue- why have the producers and cast members been saying that they “haven’t found someone ready for the task” concerning women of color on the show when there are literally hundreds of capable women of color in the entertainment world?  Have they intentionally chosen not to cast a wide enough net?

Why are we still dividing comic sketches to fit antiquated racial demographics? Comparing the intended audiences for Key and Peele vs. John Stewart and Colbert.  Why are there no men of color hosting late night or political talk shows?  Why do all female hosted shows end before 5pm?

Sexuality:

Ellen and Kate McKinnon- do they fall into a trap of having to be out to be respected? Why do we just presume that a certain amount of men in comedy are gay, but it’s a big deal if one is lesbian?  Why is that a historical trend?

Feminism:

Tina Fey, Amy Pohler, Ellen Page, all funny women who have deemed themselves feminists.  This seems to work fine- they are among the highest paid comedians in TV.  So how do they manage to fend off the negative criticisms often aimed at pop stars (Gaga, Miley), film makers (Diablo Cody, Catherine Hardwicke), writers (Stephanie Meyers) and politicians (Hillary Clinton, Wendy Davis)?  It TV acting alone in its category because we have made more strides thematically?

If anyone could give me advice on how to narrow my topic/ make a more developed thesis I would love the input!





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