Course Description

At the core of the course is the question how feminism has become a demonized and ridiculed “F-word” in an age when issues of gender and sexuality are at the center of constant, often explosive political debates. These debates often connect media representation and political representation but tend to do so in simplistic ways that bypass or distort decades of sophisticated feminist theory and practice. We will trace back such representations through the decades around case studies that encompass film, video, television and new media practices. The case studies come from the United States and beyond, taking into full account the global interconnectedness of media production and consumption as well as the transnational travel of feminist ideas. The main goal of the course is to evaluate how useful feminist thinking is to understanding the relays between media and political representation; and to develop a lasting critical apparatus to analyzing the politics of gender and sexuality in the media.


Friday, November 15, 2013

Abstract: The Makeover in Fictional Films vs. Nonfictional TV


            In my paper I plan on looking into the similarities and differences between the representation of makeovers in fictional movies and non-fictional television shows. My intention is to unpack the way in which fictional makeovers are often seen as fun, comedic, and overall acceptable, while in the context of reality shows (particularly surgical ones), they are frowned upon. I aim to expose that both represent the same primary idea- that in our society, a woman’s appearance is what determines her personal identity and how she is perceived and treated by those around her.
            To do this, I will focus on movies such as Mean Girls and Clueless and television shows such as Extreme Makeover, The Swan and Bridalplasty. I think that these will be good examples of how in fiction, average girls get made over with more revealing clothing and more makeup and miraculously become popular amongst other girls, desirable by men, and seemingly more confident in themselves and their place in the world. The reality shows I’ve chosen will work to display how these seemingly comedic fictional makeovers are very real and very extreme. Women see models in magazines and on billboards and are made to believe that they need to surgically alter themselves to be worthy. Consumerism, the male gaze and the body as power will all go into this argument.
            The projected conclusion of my paper is that society has caused women to feel the need to change their physical appearance in order to be “better” in the eyes of other women, men and themselves.  Whether in harmless fictional films that are widely popular, or in nonfictional television that is scrutinized, the same idea and representation of the female body is represented. 

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