Course Description

At the core of the course is the question how feminism has become a demonized and ridiculed “F-word” in an age when issues of gender and sexuality are at the center of constant, often explosive political debates. These debates often connect media representation and political representation but tend to do so in simplistic ways that bypass or distort decades of sophisticated feminist theory and practice. We will trace back such representations through the decades around case studies that encompass film, video, television and new media practices. The case studies come from the United States and beyond, taking into full account the global interconnectedness of media production and consumption as well as the transnational travel of feminist ideas. The main goal of the course is to evaluate how useful feminist thinking is to understanding the relays between media and political representation; and to develop a lasting critical apparatus to analyzing the politics of gender and sexuality in the media.


Sunday, October 6, 2013

Paris Fashion Week Protestors


            Last week I saw an intriguing story on the news reporting topless women staging a feminist protest at a Paris fashion show. Two models stormed the stage, each with the slogans “fashion dictaterror” and “model don’t go to brothel” painted in black across their bare chests. They were immediately escorted off the stage, and thanks to the professionalism of the models, the show went on without another hitch. This experience reminded me of a similar one that I witnessed myself this past winter in Paris when topless protestors stormed the Notre Dame cathedral rejoicing over the Pope’s resignation.
            This particular group, known as Femen, regard themselves as strong feminist activists who defend women’s rights. Their topless-ness is, in the group’s own words, redefining the meaning of the female nude. “By stripping, women expose their vulnerability but also their naked bodies as weapons. Its grand aim is to give new meaning to the nude female, as a political tool instead of as a sex object.” However, comparing this incident to our class discussions, I find this form of protest extremely regressive. While the symbolism of a strong female is clear, topless (not to mention attractive and blonde) women are not mocking male voyeurism, but promoting it. The male gaze is evident even in just the comments section of the online video. The discussion focuses on how the security guard got to “cop a feel” while escorting the women off stage, rather than discussing the degrading nature of the fashion industry – the very thing that the protestors were protesting against. Additionally, the protestors themselves were more provocatively dressed than the models, once again diminishing their argument. Ultimately, I think that going topless gets these feminist activists more news coverage and, therefore, more ample opportunity to promote their cause. Unfortunately, this radical form of protest is in direct opposition to the female rights that they are trying to address.    

Here’s the video of the fashion show protest if anyone’s interested: 

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