Course Description

At the core of the course is the question how feminism has become a demonized and ridiculed “F-word” in an age when issues of gender and sexuality are at the center of constant, often explosive political debates. These debates often connect media representation and political representation but tend to do so in simplistic ways that bypass or distort decades of sophisticated feminist theory and practice. We will trace back such representations through the decades around case studies that encompass film, video, television and new media practices. The case studies come from the United States and beyond, taking into full account the global interconnectedness of media production and consumption as well as the transnational travel of feminist ideas. The main goal of the course is to evaluate how useful feminist thinking is to understanding the relays between media and political representation; and to develop a lasting critical apparatus to analyzing the politics of gender and sexuality in the media.


Friday, September 27, 2013

The Personal Aspect of Feminism


As we have discussed a few times in class, feminism is personal. The word means something different to everyone. In the beginning of the Barbara Hammer reading titled, “Lesbian Film Making: Self Birthing,” this became even more evident. The article begins with the quote, “THE LESBIAN FILM ARTIST BIRTHS HERSELF.” Part of the self-birthing process is innately personal. Hammer then goes on to state, “As there has never been a lesbian filmmaker whose life and work I could study, I study my own life, and by doing so make it work that attempts to partly fill the dearth of lesbian herstory for lesbians of the twenty-first century.” Hammer’s self-birthing and reflections of her films allow the reader to understand her belief of feminism. For Hammer, feminism is rooted in the “lesbian/feminist/women.” She expresses her view of feminism through her filmmaking. Hammer’s films such as Dyketactics and Menses expose the truths of women's sensual and pleasurable experience. Through understanding Hammer's films, it is clear that her expereince of feminism is as a lesbian and as a woman. 

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