Course Description

At the core of the course is the question how feminism has become a demonized and ridiculed “F-word” in an age when issues of gender and sexuality are at the center of constant, often explosive political debates. These debates often connect media representation and political representation but tend to do so in simplistic ways that bypass or distort decades of sophisticated feminist theory and practice. We will trace back such representations through the decades around case studies that encompass film, video, television and new media practices. The case studies come from the United States and beyond, taking into full account the global interconnectedness of media production and consumption as well as the transnational travel of feminist ideas. The main goal of the course is to evaluate how useful feminist thinking is to understanding the relays between media and political representation; and to develop a lasting critical apparatus to analyzing the politics of gender and sexuality in the media.


Tuesday, September 10, 2013

Spectator & Social

As a student taking this class and not already knowing that much about feminism, I have found myself intrigued by the evolving definition. Thus it allows the individual to interpret and develop their own "feminist" interest. Which leads me to the Modleski article and her thoughts on studying the female spectator and the female as a social subject. Both of these categories are an interesting way in defining what feminism is from a female perspective. It makes me think how a woman fits into various social roles, what other females think of those roles, and the power that is within them to either reconstruct or perpetuate them. I still don't have a distinct understanding on how these are important in establishing self and its greater interaction with those around oneself. For instance in Orlando she is both the social subject and the female spectator as she transforms her identity. Thus in that respect has she had an advantage in understanding herself as she has looked from both viewpoints. Furthermore, much of her journey to being comfortable as a women is rejecting male's affection or viewpoints. Therefore, has he time as a "female spectator" (when she was dressed as a man) allowed her to redefine herself through that experience as a new social subject? Food for thought.

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